Luxury Furniture

In record time, Form has become one of Normann Copenhagen’s most popular designs. In addition to the original plastic shell, the Form family is also available in a fully upholstered version.
The upholstered chair emphasizes the main concept of the design, and is a beautiful illustration of how Form’s strong design language and well considered silhouette gets a different, sensuous dimension and increased comfort. Luxurious woolen textiles and exclusive leather soften the expression and add warmth, while the specially developed mounting solution also gets a new appearance, taking the look in new directions.
With more than 40.000 possible combinations, you are able to customize your very own unique upholstered chair. Play with material mixes, color combinations and contrasts between texture, and create the exact design you desire.
Design: Simon Legald.

In record time, Form has become one of Normann Copenhagen’s most popular designs. In addition to the original plastic shell, the Form family is also available in a fully upholstered version.
The upholstered chair emphasizes the main concept of the design, and is a beautiful illustration of how Form’s strong design language and well considered silhouette gets a different, sensuous dimension and increased comfort. Luxurious woolen textiles and exclusive leather soften the expression and add warmth, while the specially developed mounting solution also gets a new appearance, taking the look in new directions.
With more than 40.000 possible combinations, you are able to customize your very own unique upholstered chair. Play with material mixes, color combinations and contrasts between texture, and create the exact design you desire.
Design: Simon Legald.

In record time, Form has become one of Normann Copenhagen’s most popular designs. In addition to the original plastic shell, the Form family is also available in a fully upholstered version.
The upholstered chair emphasizes the main concept of the design, and is a beautiful illustration of how Form’s strong design language and well considered silhouette gets a different, sensuous dimension and increased comfort. Luxurious woolen textiles and exclusive leather soften the expression and add warmth, while the specially developed mounting solution also gets a new appearance, taking the look in new directions.
With more than 40.000 possible combinations, you are able to customize your very own unique upholstered chair. Play with material mixes, color combinations and contrasts between texture, and create the exact design you desire.
Design: Simon Legald.

With the mission of creating a shell chair with a more unified look that would stand as one cohesive unit, Simon Legald has created the Form Chair for Normann Copenhagen.
To achieve this seamless, integrated look, a new and innovative solution for gathering the seat with the legs has been developed. The curved plastic seat and frame of oak, walnut or steel are naturally integrated with the seat using a unique cup system. The plastic seat and wood or steel legs meet elegantly, accentuating the high quality craftsmanship and the simplicity of the Scandinavian furniture design.

Designed by Simon Legald.

With the mission of creating a shell chair with a more unified look that would stand as one cohesive unit, Simon Legald has created the Form Chair for Normann Copenhagen.
To achieve this seamless, integrated look, a new and innovative solution for gathering the seat with the legs has been developed. The curved plastic seat and frame of oak, walnut or steel are naturally integrated with the seat using a unique cup system. The plastic seat and wood or steel legs meet elegantly, accentuating the high quality craftsmanship and the simplicity of the Scandinavian furniture design.

Designed by Simon Legald.

With the mission of creating a shell chair with a more unified look that would stand as one cohesive unit, Simon Legald has created the Form Chair for Normann Copenhagen.
To achieve this seamless, integrated look, a new and innovative solution for gathering the seat with the legs has been developed. The curved plastic seat and frame of oak, walnut or steel are naturally integrated with the seat using a unique cup system. The plastic seat and wood or steel legs meet elegantly, accentuating the high quality craftsmanship and the simplicity of the Scandinavian furniture design.

Designed by Simon Legald.

The generous proportions of the Timb design have made it possible to create a lounge armchair with the same honest construction and respect for the material. The comfortable wide seat, slightly curved backrest and slender armrests of the Timb lounge armchair invite you to relax for as long as your heart desires. The addition of the lounge armchair to the Timb series allows for creating a cohesive interior expression for private homes, restaurants, hotels and lounge areas.
The Timb lounge armchair is made of PEFC-certified ash and is lacquered with a black or golden-brown tone. Optional color-coordinated leather upholstery from Sørensen Leather is available for the seat and backrest to provide increased comfort and a subtle, tactile finish.

With the mission of creating a shell chair with a more unified look that would stand as one cohesive unit, Simon Legald has created the Form Chair for Normann Copenhagen.
To achieve this seamless, integrated look, a new and innovative solution for gathering the seat with the legs has been developed. The curved plastic seat and frame of oak, walnut or steel are naturally integrated with the seat using a unique cup system. The plastic seat and wood or steel legs meet elegantly, accentuating the high quality craftsmanship and the simplicity of the Scandinavian furniture design.

Designed by Simon Legald.

The generous proportions of the Timb design have made it possible to create a lounge armchair with the same honest construction and respect for the material. The comfortable wide seat, slightly curved backrest and slender armrests of the Timb lounge armchair invite you to relax for as long as your heart desires. The addition of the lounge armchair to the Timb series allows for creating a cohesive interior expression for private homes, restaurants, hotels and lounge areas.
The Timb lounge armchair is made of PEFC-certified ash and is lacquered with a black or golden-brown tone. Optional color-coordinated leather upholstery from Sørensen Leather is available for the seat and backrest to provide increased comfort and a subtle, tactile finish.

Simple, welcoming, versatile. Just, designed by Iskos-Berlin is "just" a chair collection, yet a very special one.
The Just barstool is designed as an extension to the Just chair, and inherits its signature elements: the clearly defined shell shaped as a molded "sandwich" of hard and light veneers as well as the light steel base, which is discretely integrated in the molded shell, so that the chair naturally comes together as a whole.
Just is characterized by its subdued and harmonious idiom that makes the chair suitable for numerous environments and styles. "Just is not born out of the desire to design a different chair. On the contrary, we wanted to use innovative molding and assembly techniques to achieve an elegant and subtle result, full of hidden details. Good design does not necessarily have to make a lot of fuss - those who want to will see the details," say Iskos-Berlin.
The barstool comes in two heights and is available with and without a backrest.
Designed by Iskos-Berlin

The generous proportions of the Timb design have made it possible to create a lounge armchair with the same honest construction and respect for the material. The comfortable wide seat, slightly curved backrest and slender armrests of the Timb lounge armchair invite you to relax for as long as your heart desires. The addition of the lounge armchair to the Timb series allows for creating a cohesive interior expression for private homes, restaurants, hotels and lounge areas.
The Timb lounge armchair is made of PEFC-certified ash and is lacquered with a black or golden-brown tone. Optional color-coordinated leather upholstery from Sørensen Leather is available for the seat and backrest to provide increased comfort and a subtle, tactile finish.

The generous proportions of the Timb design have made it possible to create a lounge armchair with the same honest construction and respect for the material. The comfortable wide seat, slightly curved backrest and slender armrests of the Timb lounge armchair invite you to relax for as long as your heart desires. The addition of the lounge armchair to the Timb series allows for creating a cohesive interior expression for private homes, restaurants, hotels and lounge areas.
The Timb lounge armchair is made of PEFC-certified ash and is lacquered with a black or golden-brown tone. Optional color-coordinated leather upholstery from Sørensen Leather is available for the seat and backrest to provide increased comfort and a subtle, tactile finish.

Swell is a minimalistic collection of furniture for the living room with a playful, light-hearted feel. The soft, curved silhouettes give the furniture pieces an inviting look and ensure a fantastic sitting comfort.
The name Swell is a reference to rising bread. Swell has a full shape, consisting of a robust padded back and seat and two curvy armrests. The stitching on the back and the seats divides the sofas into sections and completes the feel.
Swell is available as a two and three seat sofa as well as an armchair. The range of 21 different colors makes it easy to find a match for any decor by encompassing everything from neutral grey and brownish tones to deep and tranquil shades of blue and purple as well as energetic and bright yellow, green and red and a classic black.

Simple, welcoming, versatile. Just, designed by Iskos-Berlin is "just" a chair collection, yet a very special one.
The Just barstool is designed as an extension to the Just chair, and inherits its signature elements: the clearly defined shell shaped as a molded "sandwich" of hard and light veneers as well as the light steel base, which is discretely integrated in the molded shell, so that the chair naturally comes together as a whole.
Just is characterized by its subdued and harmonious idiom that makes the chair suitable for numerous environments and styles. "Just is not born out of the desire to design a different chair. On the contrary, we wanted to use innovative molding and assembly techniques to achieve an elegant and subtle result, full of hidden details. Good design does not necessarily have to make a lot of fuss - those who want to will see the details," say Iskos-Berlin.
The barstool comes in two heights and is available with and without a backrest.
Designed by Iskos-Berlin

Simple, welcoming, versatile. Just, designed by Iskos-Berlin is "just" a chair collection, yet a very special one.
The Just barstool is designed as an extension to the Just chair, and inherits its signature elements: the clearly defined shell shaped as a molded "sandwich" of hard and light veneers as well as the light steel base, which is discretely integrated in the molded shell, so that the chair naturally comes together as a whole.
Just is characterized by its subdued and harmonious idiom that makes the chair suitable for numerous environments and styles. "Just is not born out of the desire to design a different chair. On the contrary, we wanted to use innovative molding and assembly techniques to achieve an elegant and subtle result, full of hidden details. Good design does not necessarily have to make a lot of fuss - those who want to will see the details," say Iskos-Berlin.
The barstool comes in two heights and is available with and without a backrest.
Designed by Iskos-Berlin

Swell is a minimalistic collection of furniture for the living room with a playful, light-hearted feel. The soft, curved silhouettes give the furniture pieces an inviting look and ensure a fantastic sitting comfort.
The name Swell is a reference to rising bread. Swell has a full shape, consisting of a robust padded back and seat and two curvy armrests. The stitching on the back and the seats divides the sofas into sections and completes the feel.
Swell is available as a two and three seat sofa as well as an armchair. The range of 21 different colors makes it easy to find a match for any decor by encompassing everything from neutral grey and brownish tones to deep and tranquil shades of blue and purple as well as energetic and bright yellow, green and red and a classic black.

The Grow coffee table is made of solid oak in a finely balanced design with references to classic Danish shaker style. The table is named for the smooth transition between the tabletop and legs, which gives the impression that the legs are growing out of the tabletop.
With its simple silhouette and shapely details, Grow alludes to the luxury of simplicity. The tabletop's chamfered edges and the oval legs lend the table a visual lightness, allowing the gorgeous oak wood to take center stage. Grow is a versatile design with timeless class.
Designed by Simon Legald.

The Grow coffee table is made of solid oak in a finely balanced design with references to classic Danish shaker style. The table is named for the smooth transition between the tabletop and legs, which gives the impression that the legs are growing out of the tabletop.
With its simple silhouette and shapely details, Grow alludes to the luxury of simplicity. The tabletop's chamfered edges and the oval legs lend the table a visual lightness, allowing the gorgeous oak wood to take center stage. Grow is a versatile design with timeless class.
Designed by Simon Legald.

The Grow coffee table is made of solid oak in a finely balanced design with references to classic Danish shaker style. The table is named for the smooth transition between the tabletop and legs, which gives the impression that the legs are growing out of the tabletop.
With its simple silhouette and shapely details, Grow alludes to the luxury of simplicity. The tabletop's chamfered edges and the oval legs lend the table a visual lightness, allowing the gorgeous oak wood to take center stage. Grow is a versatile design with timeless class.
Designed by Simon Legald.

Timb is the fundamental essence of a chair whose clean and humble design emerges from its function. The name Timb is an expression of the chair’s simple vision for the value of its material.
The Timb chair has a simple wooden structure with a richness of detail in the contrast between its curves and sharp lines. Its artisan traditions are also visible in its elegant dowel joints, which make it possible to manufacture the chair without the need for screws, allowing the wood itself to act as focal point. The chair comprises a frame of solid ash and a wide, comfortable seat and backrest made from ash veneer.
The Timb chair’s humble nature allows the design to blend easily and elegantly into almost any environment, yielding space to other more prominent elements of the interior.

Timb is the fundamental essence of a chair whose clean and humble design emerges from its function. The name Timb is an expression of the chair’s simple vision for the value of its material.
The Timb chair has a simple wooden structure with a richness of detail in the contrast between its curves and sharp lines. Its artisan traditions are also visible in its elegant dowel joints, which make it possible to manufacture the chair without the need for screws, allowing the wood itself to act as focal point. The chair comprises a frame of solid ash and a wide, comfortable seat and backrest made from ash veneer.
The Timb chair’s humble nature allows the design to blend easily and elegantly into almost any environment, yielding space to other more prominent elements of the interior.

Timb is the fundamental essence of a chair whose clean and humble design emerges from its function. The name Timb is an expression of the chair’s simple vision for the value of its material.
The Timb chair has a simple wooden structure with a richness of detail in the contrast between its curves and sharp lines. Its artisan traditions are also visible in its elegant dowel joints, which make it possible to manufacture the chair without the need for screws, allowing the wood itself to act as focal point. The chair comprises a frame of solid ash and a wide, comfortable seat and backrest made from ash veneer.
The Timb chair’s humble nature allows the design to blend easily and elegantly into almost any environment, yielding space to other more prominent elements of the interior.

Timb is the fundamental essence of a chair whose clean and humble design emerges from its function. The name Timb is an expression of the chair’s simple vision for the value of its material.
The Timb chair has a simple wooden structure with a richness of detail in the contrast between its curves and sharp lines. Its artisan traditions are also visible in its elegant dowel joints, which make it possible to manufacture the chair without the need for screws, allowing the wood itself to act as focal point. The chair comprises a frame of solid ash and a wide, comfortable seat and backrest made from ash veneer.
The Timb chair’s humble nature allows the design to blend easily and elegantly into almost any environment, yielding space to other more prominent elements of the interior.

Timb is the fundamental essence of a chair whose clean and humble design emerges from its function. The name Timb is an expression of the chair’s simple vision for the value of its material.
The Timb chair has a simple wooden structure with a richness of detail in the contrast between its curves and sharp lines. Its artisan traditions are also visible in its elegant dowel joints, which make it possible to manufacture the chair without the need for screws, allowing the wood itself to act as focal point. The chair comprises a frame of solid ash and a wide, comfortable seat and backrest made from ash veneer.
The Timb chair’s humble nature allows the design to blend easily and elegantly into almost any environment, yielding space to other more prominent elements of the interior.

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually. "Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually. "Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually. "Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually. "Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually. "Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually. "Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually. "Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually. "Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually. "Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually. "Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."

Danish design traditions have left a clear mark on Simon Legald’s chair series, Herit, which is short for heritage.The simple and honest style that characterises Danish furniture history stands as a clear frame of reference for a collection draped in nostalgia. But Herit is just as much a design that looks forward. Innovative production methods, new material compositions and timeless silhouettes give life to a chair that stands tall on its own.
Herit reflects Simon Legald’s love of classic Danish furniture craftsmanship, but rose from a desire to design a versatile and strong chair that unites the different eras of Danish design. A chair in which oak and plastic merge in tactful synergy, to create a hard-wearing, maintenance-friendly and accessible design, made for modern life. The path of the curves is by no means random; it is precisely designed to follow the shape of the body and create the correct support in the seated position. Herit is a chair that truly unfolds its beauty as you move around it and observe the transitions of shapes.
The balanced materials complete a design expression that is contemporary and everlasting. With tradition and renewal combined in equal measure, Herit is a hybrid of time that transcends styles and periods. Whether it moves into a classic apartment, a modernist building or post-modern architecture, it inhabits the space with natural ease and subtle grace.
Designed by Simon Legald

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually. "Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."