The Pad lounge series attains its special character from the combinations of materials, tactility and shape. Molded shells in oak veneer stand in contrast to a soft padded front, while a metal frame adds strength and airiness. In full, a balanced design, which captures the comfortable and the streamlined, the classic and the foresighted.
Pad lounge chairs are made up of a solid steel or aluminium frame, in which sections of strong oak veneer form the backrest and seat. The veneer is fitted with molded PU foam, which is then upholstered by skilled upholsterers. The shape is boxy, yet perfectly rounded; Organic texture and warmth flirt with cool shine in the meeting of wood, textile and metal. The front-padded design is as comfortable as it is elegant, making Pad the perfect addition to the sophisticated lounge or lobby.
The Pad series comprises a high and a low lounge chair, as well as a complementing footstool. You can choose between three base variants: A black or grey static steel frame, a flexible swivel base in black or polished aluminium or a base with swivel and tilt function in black or polished aluminium for extra mobility. All three in combination with a back of oak or black-painted oak with upholstery in three different qualities in a wide variety of shades. Pad is made to order.
The Pad lounge series attains its special character from the combinations of materials, tactility and shape. Molded shells in oak veneer stand in contrast to a soft padded front, while a metal frame adds strength and airiness. In full, a balanced design, which captures the comfortable and the streamlined, the classic and the foresighted.
Pad lounge chairs are made up of a solid steel frame, in which sections of strong oak veneer form the backrest and seat. The veneer is fitted with molded PU foam, which is then upholstered by skilled upholsterers. The shape is boxy, yet perfectly rounded; Organic texture and warmth flirt with cool shine in the meeting of wood, textile and steel. The front-padded design is as comfortable as it is elegant, making Pad the perfect addition to the sophisticated lounge or lobby.
The Pad lounge series attains its special character from the combinations of materials, tactility and shape. Molded shells in oak veneer stand in contrast to a soft padded front, while a metal frame adds strength and airiness. In full, a balanced design, which captures the comfortable and the streamlined, the classic and the foresighted.
Pad lounge chairs are made up of a solid steel frame, in which sections of strong oak veneer form the backrest and seat. The veneer is fitted with molded PU foam, which is then upholstered by skilled upholsterers. The shape is boxy, yet perfectly rounded; Organic texture and warmth flirt with cool shine in the meeting of wood, textile and steel. The front-padded design is as comfortable as it is elegant, making Pad the perfect addition to the sophisticated lounge or lobby.
There is something virtually graphic about the way the slender steel frame grows out below the Studio chair’s seat and back, framing the molded shell in an airy design. The flowing lines stand out in an eye-catching silhouette, like a line drawing or a pictogram, just as the empty spaces between the frame and the back act to define the shape. The simple construction in veneer and steel tubing directs one’s thoughts towards older French factory chairs, giving Studio its industrial notes. A design that attracts attention, but glows with pure simplicity.
The multi-purpose Studio chair series is designed for use in both domestic and public spaces. The series includes chairs, armchairs and barstools in two heights. All models are stackable, making the range suitable for restaurants and educational facilities with the need for transformable areas. The steel frame makes it easy to grab hold of the chairs and move them around as required.
There is something virtually graphic about the way the slender steel frame grows out below the Studio chair’s seat and back, framing the molded shell in an airy design. The flowing lines stand out in an eye-catching silhouette, like a line drawing or a pictogram, just as the empty spaces between the frame and the back act to define the shape. The simple construction in veneer and steel tubing directs one’s thoughts towards older French factory chairs, giving Studio its industrial notes. A design that attracts attention, but glows with pure simplicity.
The multi-purpose Studio chair series is designed for use in both domestic and public spaces. The series includes chairs, armchairs and barstools in two heights. All models are stackable, making the range suitable for restaurants and educational facilities with the need for transformable areas. The steel frame makes it easy to grab hold of the chairs and move them around as required.
There is something virtually graphic about the way the slender steel frame grows out below the Studio chair’s seat and back, framing the molded shell in an airy design. The flowing lines stand out in an eye-catching silhouette, like a line drawing or a pictogram, just as the empty spaces between the frame and the back act to define the shape. The simple construction in veneer and steel tubing directs one’s thoughts towards older French factory chairs, giving Studio its industrial notes. A design that attracts attention, but glows with pure simplicity.
The multi-purpose Studio chair series is designed for use in both domestic and public spaces. The series includes chairs, armchairs and barstools in two heights. All models are stackable, making the range suitable for restaurants and educational facilities with the need for transformable areas. The steel frame makes it easy to grab hold of the chairs and move them around as required.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
There is something virtually graphic about the way the slender steel frame grows out below the Studio chair’s seat and back, framing the molded shell in an airy design. The flowing lines stand out in an eye-catching silhouette, like a line drawing or a pictogram, just as the empty spaces between the frame and the back act to define the shape. The simple construction in veneer and steel tubing directs one’s thoughts towards older French factory chairs, giving Studio its industrial notes. A design that attracts attention, but glows with pure simplicity.
The multi-purpose Studio chair series is designed for use in both domestic and public spaces. The series includes chairs, armchairs and barstools in two heights. All models are stackable, making the range suitable for restaurants and educational facilities with the need for transformable areas. The steel frame makes it easy to grab hold of the chairs and move them around as required.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
Effortless and timeless, Nicholai Wiig Hansen’s My Chair from 2013 is just about as close as you get to a new classic: a minimal chair in molded veneer, that moves gently with your body. The rounded corners and curved waist counterbalance the stringent design of the chair and give it a warm and welcoming feel.
My Chair is the result of designer Nicholai Wiig Hansen’s vision of the perfectly balanced chair: ”My aim was to design a chair with unequaled harmony and to try and come close to the indefinable quality that, in my opinion, lifts a design to another level. My Chair is a mixture of something familiar and something new, something neutral yet characterful, something present but not dominating, something simple as well as complex and something rigorous as well as curved. In other words, My Chair is a shell chair the way I think it should be.” Nicholai Wiig Hansen
With its minimalistic silhouette, My Chair is ideal for spaces that need a large number of seats, as the design can be multiplied without taking over the interior. Its stackable design gives flexibility, while the lounge chairs and barstool expand the opportunities to create coherent furnishings with the My Chair series.
Just is a simple and understated stackable shell chair with lots of personality and character that is as beautiful when seen from below as from above. The frame is discretely tucked into the chair's molded shell, and the shell's tapering thickness gives it a friendly and welcoming expression.Just Chair comes in a veneer version in a distinctive black or in natural, with a striking colored edge in black, red or grey. Just Chair is also available with upholstery in quality four textiles and durable leather, adding a whole new dimension to the chair.The chair fits into most furniture schemes, and is ideal both around the dinner table and in the kitchen.
A celebration of classic minimalism, the Circa stool series is designed to stand the test of time. The smooth, curved edges of the seat rest on a sturdy base crafted in black powder coated steel. As implied by its name, circles are a recurring element in the design of the stool series. The distinctive, circular shape of the seat is repeated in the rounded footrest as well as in the practical hole in the middle of the seat, which allows for the stool to be easily carried around. The use of repetition ensures a harmonious and well-balanced expression in the design. With its contemporary and utilitarian look, the Circa stool series accommodates modern interior’s need for simplicity and functionality and offers the perfect solution for seating in residential or commercial spaces.
A celebration of classic minimalism, the Circa stool series is designed to stand the test of time. The smooth, curved edges of the seat rest on a sturdy base crafted in black powder coated steel. As implied by its name, circles are a recurring element in the design of the stool series. The distinctive, circular shape of the seat is repeated in the rounded footrest as well as in the practical hole in the middle of the seat, which allows for the stool to be easily carried around. The use of repetition ensures a harmonious and well-balanced expression in the design. With its contemporary and utilitarian look, the Circa stool series accommodates modern interior’s need for simplicity and functionality and offers the perfect solution for seating in residential or commercial spaces.
A celebration of classic minimalism, the Circa stool series is designed to stand the test of time. The smooth, curved edges of the seat rest on a sturdy base crafted in black powder coated steel. As implied by its name, circles are a recurring element in the design of the stool series. The distinctive, circular shape of the seat is repeated in the rounded footrest as well as in the practical hole in the middle of the seat, which allows for the stool to be easily carried around. The use of repetition ensures a harmonious and well-balanced expression in the design. With its contemporary and utilitarian look, the Circa stool series accommodates modern interior’s need for simplicity and functionality and offers the perfect solution for seating in residential or commercial spaces.
A celebration of classic minimalism, the Circa stool series is designed to stand the test of time. The smooth, curved edges of the seat rest on a sturdy base crafted in black powder coated steel. As implied by its name, circles are a recurring element in the design of the stool series. The distinctive, circular shape of the seat is repeated in the rounded footrest as well as in the practical hole in the middle of the seat, which allows for the stool to be easily carried around. The use of repetition ensures a harmonious and well-balanced expression in the design. With its contemporary and utilitarian look, the Circa stool series accommodates modern interior’s need for simplicity and functionality and offers the perfect solution for seating in residential or commercial spaces.
The Allez chair has a light and airy look, and the design idiom draws on recognizability. The organic curves of the shell mimic the shape of the body. Together with the reinforced backrest, this ensures optimal strength and seating comfort. The designer's signature principle of an honest design suited for modern needs is clearly evident in the shape of the Allez chair. About the design, designer Simon Legald tells:
"Most chairs are based on a construction consisting of a type of shell and a frame. By breaking up the chair into components, it can be shaped and adapted to suit different environments. The construction was a key motivation in the design and is what makes Allez so innovative and unique." Allez is available in five timeless tones, each reflecting the stark and beautiful Nordic nature. A balanced and neutral color palette of park green, grey and warm grey, as well as black and white, allows the design to humbly fit into larger contexts and outdoor environments. The color scale supports the desire for a design that will stay relevant for many generations to come.
The Allez chair has a light and airy look, and the design idiom draws on recognizability. The organic curves of the shell mimic the shape of the body. Together with the reinforced backrest, this ensures optimal strength and seating comfort. The designer's signature principle of an honest design suited for modern needs is clearly evident in the shape of the Allez chair. About the design, designer Simon Legald tells:
"Most chairs are based on a construction consisting of a type of shell and a frame. By breaking up the chair into components, it can be shaped and adapted to suit different environments. The construction was a key motivation in the design and is what makes Allez so innovative and unique." Allez is available in five timeless tones, each reflecting the stark and beautiful Nordic nature. A balanced and neutral color palette of park green, grey and warm grey, as well as black and white, allows the design to humbly fit into larger contexts and outdoor environments. The color scale supports the desire for a design that will stay relevant for many generations to come.
The Allez chair has a light and airy look, and the design idiom draws on recognizability. The organic curves of the shell mimic the shape of the body. Together with the reinforced backrest, this ensures optimal strength and seating comfort. The designer's signature principle of an honest design suited for modern needs is clearly evident in the shape of the Allez chair. About the design, designer Simon Legald tells:
"Most chairs are based on a construction consisting of a type of shell and a frame. By breaking up the chair into components, it can be shaped and adapted to suit different environments. The construction was a key motivation in the design and is what makes Allez so innovative and unique." Allez is available in five timeless tones, each reflecting the stark and beautiful Nordic nature. A balanced and neutral color palette of park green, grey and warm grey, as well as black and white, allows the design to humbly fit into larger contexts and outdoor environments. The color scale supports the desire for a design that will stay relevant for many generations to come.
The Allez chair has a light and airy look, and the design idiom draws on recognizability. The organic curves of the shell mimic the shape of the body. Together with the reinforced backrest, this ensures optimal strength and seating comfort. The designer's signature principle of an honest design suited for modern needs is clearly evident in the shape of the Allez chair. About the design, designer Simon Legald tells:
"Most chairs are based on a construction consisting of a type of shell and a frame. By breaking up the chair into components, it can be shaped and adapted to suit different environments. The construction was a key motivation in the design and is what makes Allez so innovative and unique."
Allez is available in five timeless tones, each reflecting the stark and beautiful Nordic nature. A balanced and neutral color palette of park green, grey and warm grey, as well as black and white, allows the design to humbly fit into larger contexts and outdoor environments. The color scale supports the desire for a design that will stay relevant for many generations to come.
The Allez chair has a light and airy look, and the design idiom draws on recognizability. The organic curves of the shell mimic the shape of the body. Together with the reinforced backrest, this ensures optimal strength and seating comfort. The designer's signature principle of an honest design suited for modern needs is clearly evident in the shape of the Allez chair. About the design, designer Simon Legald tells:
"Most chairs are based on a construction consisting of a type of shell and a frame. By breaking up the chair into components, it can be shaped and adapted to suit different environments. The construction was a key motivation in the design and is what makes Allez so innovative and unique."
Allez is available in five timeless tones, each reflecting the stark and beautiful Nordic nature. A balanced and neutral color palette of park green, grey and warm grey, as well as black and white, allows the design to humbly fit into larger contexts and outdoor environments. The color scale supports the desire for a design that will stay relevant for many generations to come.
The Allez chair has a light and airy look, and the design idiom draws on recognizability. The organic curves of the shell mimic the shape of the body. Together with the reinforced backrest, this ensures optimal strength and seating comfort. The designer's signature principle of an honest design suited for modern needs is clearly evident in the shape of the Allez chair. About the design, designer Simon Legald tells:
"Most chairs are based on a construction consisting of a type of shell and a frame. By breaking up the chair into components, it can be shaped and adapted to suit different environments. The construction was a key motivation in the design and is what makes Allez so innovative and unique."
Allez is available in five timeless tones, each reflecting the stark and beautiful Nordic nature. A balanced and neutral color palette of park green, grey and warm grey, as well as black and white, allows the design to humbly fit into larger contexts and outdoor environments. The color scale supports the desire for a design that will stay relevant for many generations to come.
The Allez chair has a light and airy look, and the design idiom draws on recognizability. The organic curves of the shell mimic the shape of the body. Together with the reinforced backrest, this ensures optimal strength and seating comfort. The designer's signature principle of an honest design suited for modern needs is clearly evident in the shape of the Allez chair. About the design, designer Simon Legald tells:
"Most chairs are based on a construction consisting of a type of shell and a frame. By breaking up the chair into components, it can be shaped and adapted to suit different environments. The construction was a key motivation in the design and is what makes Allez so innovative and unique."
Allez is available in five timeless tones, each reflecting the stark and beautiful Nordic nature. A balanced and neutral color palette of park green, grey and warm grey, as well as black and white, allows the design to humbly fit into larger contexts and outdoor environments. The color scale supports the desire for a design that will stay relevant for many generations to come.
The Allez chair has a light and airy look, and the design idiom draws on recognizability. The organic curves of the shell mimic the shape of the body. Together with the reinforced backrest, this ensures optimal strength and seating comfort. The designer's signature principle of an honest design suited for modern needs is clearly evident in the shape of the Allez chair. About the design, designer Simon Legald tells:
"Most chairs are based on a construction consisting of a type of shell and a frame. By breaking up the chair into components, it can be shaped and adapted to suit different environments. The construction was a key motivation in the design and is what makes Allez so innovative and unique."
Allez is available in five timeless tones, each reflecting the stark and beautiful Nordic nature. A balanced and neutral color palette of park green, grey and warm grey, as well as black and white, allows the design to humbly fit into larger contexts and outdoor environments. The color scale supports the desire for a design that will stay relevant for many generations to come.
The Allez chair has a light and airy look, and the design idiom draws on recognizability. The organic curves of the shell mimic the shape of the body. Together with the reinforced backrest, this ensures optimal strength and seating comfort. The designer's signature principle of an honest design suited for modern needs is clearly evident in the shape of the Allez chair. About the design, designer Simon Legald tells:
"Most chairs are based on a construction consisting of a type of shell and a frame. By breaking up the chair into components, it can be shaped and adapted to suit different environments. The construction was a key motivation in the design and is what makes Allez so innovative and unique."
Allez is available in five timeless tones, each reflecting the stark and beautiful Nordic nature. A balanced and neutral color palette of park green, grey and warm grey, as well as black and white, allows the design to humbly fit into larger contexts and outdoor environments. The color scale supports the desire for a design that will stay relevant for many generations to come.
In record time, Form has become one of Normann Copenhagen’s most popular designs. In addition to the original plastic shell, the Form family is also available in a fully upholstered version.
The upholstered chair emphasizes the main concept of the design, and is a beautiful illustration of how Form’s strong design language and well considered silhouette gets a different, sensuous dimension and increased comfort. Luxurious woolen textiles and exclusive leather soften the expression and add warmth, while the specially developed mounting solution also gets a new appearance, taking the look in new directions.
With more than 40.000 possible combinations, you are able to customize your very own unique upholstered chair. Play with material mixes, color combinations and contrasts between texture, and create the exact design you desire.
Design: Simon Legald.
In record time, Form has become one of Normann Copenhagen’s most popular designs. In addition to the original plastic shell, the Form family is also available in a fully upholstered version.
The upholstered chair emphasizes the main concept of the design, and is a beautiful illustration of how Form’s strong design language and well considered silhouette gets a different, sensuous dimension and increased comfort. Luxurious woolen textiles and exclusive leather soften the expression and add warmth, while the specially developed mounting solution also gets a new appearance, taking the look in new directions.
With more than 40.000 possible combinations, you are able to customize your very own unique upholstered chair. Play with material mixes, color combinations and contrasts between texture, and create the exact design you desire.
Design: Simon Legald.